HOW TO MAKE A GREAT SHORT FILM
I know – you don’t want to make a great short film, you want to direct Kevin Spacey in the next series of House Of Cards, BUT sometimes – OK, scrub that, most often – in life you have to think Short before you think Big.
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HOW TO MAKE A GREAT SHORT FILM.
Some people will tell you, “Don’t waste your time with shorts, go direct that feature script. Shorts don’t make money. They make a little noise at a festival - if you’re lucky, and that’s it.” And you know what, there’s a lot of truth in that. Certainly ties in with my experience.
And yet... what if you can’t get your amazing feature film off the ground? What if no one will raise a cheque to lubricate that dream of yours? Agents won’t even pass your script to the cast you want to appear in your film – because you don’t have any money in the bank… What then?
Short films yield steep learning curves
Any short film you make should teach you plenty about filmmaking. Every short film I’ve ever made was not only a steep learning curve in filmmaking it was a learning curve in dealing with people under highly pressured circumstances. It meant getting the best out of them and somehow being able to smile from time to time even when they were being clumsy. It meant solving problems and discovering real camaraderie, the kind of camaraderie that is impossible to find in an office, of a kind that – from having spent a few hours with squaddies – comes closest to being in the army.
Indeed it is a battle. You need a plan and you need passion and grit to follow through if you'e to plant that flag and say, 'I did it.' It may be all you end up with is ten minutes on video, a film that only a few hundred people get to see and share with you, but it’s a battle worth fighting for if you are passionate about storytelling.
Although I still believe my next short film just might open a door that leads to a more substantial payoff, either in TV or film, than a bunch of Likes, I carry on making short films because I love to have a project on the go, and I love the rush of directing and producing.
Making a short film is a truly personal statement. You make a film for a car company or an ad agency, you’ve got all manner of people crawling all over it and pulling it into (and, often, out of) shape, and that’s just the way it is. But with a short film, you really have the chance to make the project YOURS, notwithstanding the mantra that any film is a collaborative undertaking.
Develop a ‘voice’
Unless you are publicly funded, your short film will be your vision – or should be. Your baby. Which fact could of course lead to all manner of self-indulgent nonense before the end credits roll. But with your second or third film, if you’ve been paying attention, there’s every chance you’ve got those early self-indulgent desires out of your system and managed to develop a more mature approach. And with that, you start to identify what you’re about as a filmmaker. You start to see signs of a style coming through, a ‘voice’ maybe. For what it’s worth, it's my contention that you need both in order to become a great director of longer projects.
How To Write A Great Short Film
During the winter of 2015-2016 I extended my Kindle How To Write A Great Short Film to become How To Make A Great Short Film. I never set out to write an academic text, or to cover off every aspect of the subject – it was always going to be a little raw, my own personal take on the job of making a short film, from initial concept to finished product., but I wanted to get it out there because it was the kind of guide I wish I'd had on starting out.
I started writing the new eBook visualising a less experienced filmmaker sitting in the same room as me asking me for tips. Later, I sent it out to friends for comments, tweaked and published in February on amazon. Gratifyingly even experienced pros have left warm reviews.
Make a short to help someone other than yourself
This year I plan to shoot at least one more short film. Currently I’m producing a short for my daughter, Shiona, called Look Inside.
I am also producing a clutch of feature films, and I just might get one of those funded this year, but features are fickle things and if there’s one thing I like about producing a short film it's knowing it’s within my grasp to finance and execute, (well, just about).
Invariably there are many good things, including warm memories, that come from producing a short film. There’s that human satisfaction in having something tangible with your name on it. Similarly, there’s satisfaction in having created this little bit of breathing video with other people, who shared in the passion.
So if you can’t yet get that feature off the ground just yet, give yourself the satisfaction of producing a great short film. If you’re a creative person, it’s food for the soul, even if it doesn’t pay the proverbial rent.